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Nostalgic evening :D
This tune have so much emotion and go in it..I just love it. This is 1969,
in 1984 Frankie Goes To Hollywood did it on a album called Welcome To The Pleasuredome. But it eint that energic like Edwin's version.
Edwin did 10 albums and he died 2003. The biggest hit of his career, which cemented his reputation, was the Vietnam War protest song "War" (1970). Starr's intense vocals transformed a Temptations album track into a #1 chart success, which spent three weeks in the top position on the US Billboard charts, an anthem for the antiwar movement and a cultural milestone that continues to resound in movie soundtracks and hip hop music samples.
It sold over three million copies, and was awarded a gold disc. "War" appeared on both Starr's War and Peace album and its follow-up, Involved. Involved also featured another song of similar construction titled "Stop the War Now", which was a minor hit in its own right.
Wanna know more?
Pls look @
Homesite
Ladys And Gents, Here is Original video of Edwin Starr singing his famous song War!
Cheers, Thetania
Source: mark-rayan-pua.blogspot.com
All Critics (56) Top Critics (23) Fresh (51) Rotten (5)
'Gimme the Loot' is... meandering and a little shallow. And even at 79 minutes it feels a little too long for what's essentially the film equivalent of a short story.
A thousand-watt jolt of mischief, a spunky, funky, ebullient indie that packs its 81 minutes with cinematic exhilaration.
It may be a slight movie, but it has its sunny charms.
A movie about teenage taggers in the Bronx should be fast and raw, scruffy and loose, and Adam Leon's Gimme the Loot is just that.
As it lopes along, the movie offers a warm but very sharp portrait of New York's have-nots and their uneasy relationship with the haves.
"Gimme the Loot" shouldn't be as appealing and exuberant as it is, it really shouldn't.
The film's strong suit is its use of locations.
The film is episodic and determinedly offbeat, funny at its best, boring at its worst.
Shot on the streets of New York in a loose, freeform style, this lively comedy-drama feels somewhat underdeveloped, leaving us doubtful about its realism.
It's a great deal of fun, emotionally touching, and even surprisingly old-fashioned.
Some of the movie doesn't exactly convince, and some of the scenes have an actors-improv feel to them, but there's always plenty of humour and energy.
Endlessly entertaining, refreshingly light-hearted and bursting with summer soul, Gimme The Loot joins the pantheon of great New York movies.
It's a shaggy dog story with a certain amount of charm but not nearly enough drama.
The movie is unpolished, and it matters not a jot, because Leon has written super roles for these kids and invests their relationship with such sly feeling.
Hickson walks the line between bravado and vulnerability, while Washington has a charisma, spark and beauty that should ensure this won't be the last we see of her.
Bolstered by a low-key but assured aesthetic and a soundtrack of vintage soul and doo-wop, the film is infectiously enjoyable, with frequently amusing insights and an affable shagginess.
Out of nowhere, Adam Leon might just have delivered the first great New York film of the decade.
Charming and engaging low-budget indie with a witty script, likeable characters, a strong sense of time and place and a pair of terrific performances from its two young leads.
Funny and freewheeling, it's a joy.
A slim, low-budget coming-of-age tale whose richness lies entirely in its interstices. A keenly observed work that celebrates the unfettered joys of youth, and rewards by reminding of the power of a simple tale told well.
Simultaneously real and hopeful, "Loot" has almost no plot, but when the setting is so fresh and the characters feel so raw and alive, who needs one?
Ghetto laughs with a sophisticated point of view.
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Source: http://www.rottentomatoes.com/m/gimme the loot 2012/
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